April 25th, 2008 at 11:49 pm
(UFOs, Twin Peaks, Symbolism, Blue Rose, David Lynch)
UFOs & The Black Lodge: Blue Rose Report Part 2.1 - CryptoUFOlogy
“My Dream is a Code Waiting to Be Broken. Break the Code, Solve the Crime.” - FBI Special Agent Dale Cooper
In the small idyllic border town of Twin Peaks, Washington, tucked away in the forested mountains, a murder mystery unfolds involving the killing of the local high school prom queen, Laura Palmer. When a second high schooler, and potential victim of the same killer, crosses the State’s border, the FBI sends Special Agent Dale Cooper to investigate what we later find out, in the prequel, is one of FBI Bureau Chief Gordon Cole’s (played by David Lynch) “Blue Rose Cases.” And so begins the strange tale of mysterious communications and fantastic encounters that engulfs the town of Twin Peaks and the lives of all its quirky inhabitants, including its newest arrival, Special Agent Cooper.
The initial storyline would seem to be far removed from the world of UFOlogical secrets, but for the occasional paranormal manifestations, mysterious visions, and precognitive dreams of Cooper and certain townsfolk. In fact the acronym U.F.O. is only uttered once in 
the series and not at all in its subsequent prequel, Fire Walk With Me. It’s only in the second season, upon the return of Major Garland Briggs (after his abduction by a mysterious anomalous light accompanied by owls and a cloaked figure) and his mentioning of the Air Force’s Project Blue Book, that Dale Cooper says the words, “Unidentified Flying Objects.” (And also when Sheriff Truman asks in a subsequent episode, “What was Wyndham Earle doing investigating UFOs?”) But besides these two overt references to UFOs there are many subtle, covert themes threaded into the fabric of the Twin Peaks story that can be used to inform the more casual viewer about the truly strange nature of UFOs and related paranormal (and even parapolitical) phenomena. It is these covert references and allusions upon which we will focus our explication of the series and its prequel in upcoming installments of this column. While an average TV watcher viewing Twin Peaks might be aware of the classic modern UFO myths of military retrieval of crashed flying saucers, governmental cover-up of recovered aliens and supposed underground bases, bedroom visitation abductions, and the human / alien hybridization stories, they are not likely to be aware of the deeper connections in the Twin Peaks milieu which speak to the nature of the UFO’s darker CryptoUfological reality; the secret coded side of UFOs and the paranormal.
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December 5th, 2007 at 6:20 pm
(Dreams, UFOs, Twin Peaks, Symbolism, Blue Rose, News, David Lynch)
“We shall pick up an existence by its frogs. Wise men have tried other ways. They have tried to understand our state of being, by grasping at its stars, or its arts, or its economics. But, if there is an underlying oneness of all things, it does not matter where we begin, whether with stars, or laws of supply and demand, or frogs, or Napoleon Bonaparte. One measures a circle, beginning anywhere.” ~Charles Fort, Lo!
UFOlogists don’t like to talk about bigfoot. Cryptozoologists looking for sasquatch don’t like talking about ghosts. Ghost hunters won’t talk about UFOs. And conspiracy researchers are constantly lamenting, and rightfully so, being linked to all of the above by the media as a discrediting tactic. It’s a fair criticism (for those not wishing to taint there own activist chocolate with those other fringers’ peanut butter.)
A corollary criticism often follows that television shows and movies with wacky paranormal conspiracy subjects generally condition the public to associate those topics and issues with so much silly entertainment. And again, I generally agree with that sentiment.
But some TV shows and movies can make excellent touchstones for educating that same neophyte public about both the paranormal and parapolitical. And while our myth-making media do condition the public to pigeon-hole conspiracy claims and UFO sightings research into the molds sculpted in the image of X-Files “True Believers,” some examples from these pop-culture continuums can be turned back on themselves as vast repositories of referential material and launchpads for further exploration. These exemplary cult-classics can serve to educate instead of obfuscate. For there are many True Believers and they each have their own cliques, but there are also those watching all the various cliques - and those watchers aren’t all working for the NSA.
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September 17th, 2007 at 3:13 pm
(Twin Peaks, David Lynch, Video)
Update - Admitted Hoax
ATTENTION: All videos made before “FINAL MESSAGE” were part of an experiment I conducted over an 8-month period. I am not, nor ever have been, an employee of the government. All claims made about myself and my experiences in these videos and the below text are entirely fictitious.
www.youtube.com/dreamlandnightmare
TRANSCRIPT: Now, the story I am about to tell you is probably going to sound very strange. Stranger than most of what I’ve already told you throughout the course of my videos. During the course of events I must not divulge, I recently came into contact with a man whose government entity I cannot divulge either. Now, however, this same man is a mutual acquaintance of the famous motion picture director David Lynch. In fact, I can probably goes as far as saying that they are friends to a certain extent. I cannot verify his entire story, but, at the same time, I have no reason to doubt him. But he said that the character on the early 90’s television series, Twin Peaks, the main character, Agent Dale Cooper, was in fact based on him, that David Lynch more or less used him as a source, an inspiration for the basis of the FBI agent. In fact, from here on out, I will just refer to this man as “Agent Cooper” [audio glitch] to simplify things. Apparently, “Agent Cooper” and David Lynch were boyhood friends. However, sometime during the late 60’s/early 70’s they lost contact with one another and did not meet again until a chance encounter in the mid 80’s. From what I understand, this chance encounter was partly the inspiration for the development of the Twin Peaks series. Now, the show’s primary purpose was still an artistic endeavor on Lynch’s part to create an entertaining television series. However, from what I understand, this - under this “Agent Cooper’s” urging, Lynch infused certain codes and secret messages pertaining to different things he had learned from “Agent Cooper” - and they are scattered all throughout series. At one point in the series, Project Blue Book is referenced. And I am sure, as most of you know, that Project Blue Book is popularly believed to be the military’s investigation into the thousands of UFO reports during the 50’s and 60’s. However, this was only the government’s cover story. The true purpose of Project Blue Book was to test the general public’s perception and reaction to UFO reports and sightings, and to use the data gleaned from this study as a means to maximize the effectiveness of using such UFO stories to manipulate the population. And from what I understand, this is the point Lynch is trying to make when he uses the element of Project Blue Book in Twin Peaks - he’s using it to show that there is a greater evil, if you will, behind Project Blue Book. For those of you have not seen it, there are at least two dream-like sequences throughout the series in which the character Agent Cooper encounters a dancing midget. To achieve the midget’s bizarre vocalizations, Lynch had the actors phonetically speak backwards so that when the sound was reversed, the dialogue would be semi-understandable English, albeit with a strange and otherworldly quality. However, this was also code that, when you reverse certain scenes in Twin Peaks, secrets that the real-life “Agent Cooper” revealed to David Lynch will be revealed. From what I understand, scenes with David Lynch himself playing the character of Agent Gordon, when reversed, his dialogue is particularly latent with secret messages. Now, while “Agent Cooper” did not explain the meaning behind most of these messages, he did say that they would be understood by those who needed to know the information. However, he did say that the last - the very last line of dialogue in the series, “Where’s Annie?” - which is repeated over and over again - was a reference to “Project Annie”, a hypothetical, top-secret opperation during the 70’s to lace smallpox vaccinations with cancer-inducing elements. This would lie dormant in the vaccinated’s system until they reached middle age. After the infectees died, this would essentially leave a population of younger, easier-to-manipulate “orphans” (hence Orphan “Annie”) for the shadow government to usher along as chattel. Obviously, this opperation was never actually realized (thank goodness). However, I understand that it is still on a back burner, and that’s what the “Where’s Annie?” line in Twin Peaks is in reference to - where’s Project Annie? Is this still going to happen?
That is all the time I have for you now.
I look to speak to you in the near future. In the meantime, godspeed.
TRANSCRIPT: As a follow-up to my “Agent Cooper” video, I feel the need to expound a little more on what this mysterious government figure told me. Along with various codes and secret messages, Twin Peaks is replete with allegory directly related to “Agent Cooper’s” story. According to “Agent Cooper”, David Lynch was so affected by these disturbing revelations that he chose to use the death of the character of Laura Palmer as an allegory for America itself. Like the country, she is a young, vibrant and beautiful young entity who, at her heart, is good and pure. However, she is seduced by the evils of this world (e.g. her drug use and promiscuity) and is ultimately murdered by her father, who is possessed by an evil spirit. This was Lynch’s way of symbolizing the tragedy of America, a great country that has been corrupted and raped by greed, hatred and other ills. The character of Leland Palmer, the father, represents the government - generally benevolent and well-meaning in nature, it has been hijacked and controlled by nefarious powers. This is represented in the character of “Bob”, a malevolent spirit. Possessed by this evil spirit, the government, like Leland Palmer, has essentially cut down a beautiful flower blossoming in its prime. Being a talented and dynamic filmmaker, Lynch was able to juggle multiple layers of storytelling while inserting these subtle allegories. However, it must be noted, that none of the show’s other creators, writers, producers, or any of the actors knew anything about “Agent Cooper” or his claims. Lynch was the sole person to have contact with him. This placed a burden on Lynch to mold the story to fit these codes and allegories while pacifying the vested interests of his fellow filmmakers. “Agent Cooper” also explained to Lynch how the government had for years influenced the creators of popular media and entertainment to unwittingly design programs as propaganda to indoctrinate audiences with particular agendas. Lynch, from what I understand, made it a point to use Twin Peaks as a type of counter-propaganda.
Based on what “Agent Cooper” told me, Lynch cautiously trusted “Agent Cooper” and his claims, but refrained from openly expressing his feelings about them. It was only after the events of Septermber 11, 2001 that Lynch has begun to feel the need to straight-forwardly share with the world his suspicions. I don’t know much about David Lynch, but his views and philosophies sound similar to Buddhisim. However, speaking as a not especially religious Christian myself, whatever are Lynch’s religious views, I believe he is a good man whose conscience is compelling him to reveal what he knows, but he is understandably afraid to do so. His interview with Dutch television recently may be a first step in this process. I don’t know. I only have to go on what “Agent Cooper” told me.
“Agent Cooper” explained in great detail a number of other such allegories present in the series, but I’m afraid I don’t have time to relate them at this time.
Until our next encounter, godspeed.
One quick thing I need to add on. For those of you who have been suspecting that the owls in Twin Peaks are an allusion to Moloch, and that the forest is an allusion to Bohemian Grove, I can confirm that this is in fact, according to what “Agent Cooper” told me, a reference to the real-life Bohemian Grove in the Redwood forests of California, and that the owls are in fact a reference to the owl idol, Moloch.
Confessions of an Area 51 Employee (David Lynch, Twin Peaks)
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December 6th, 2006 at 1:46 pm
(911, David Lynch, Video)
Back between April and June of this year (2006) I was alerted by the links below that esteemed film/TV director David Lynch was publicly questioning the events of September 11th, 2001.
Now, his skepticism of the official 911 Conspiracy Theory has been publicly aired on Dutch Television:
video.google.com/videoplay?docid=8175484657963455824
“…you don’t have to believe everything in the documentary to still have questions come up… and you look back and you remember what you saw, and what you were told, and now, you have questions.”
Clip from VPRO’s Wereldgasten, december 3rd 2006. David Lynch discusses Loose Change.
http://www.haloscan.com/comments/dazinith/114550284762519597/#90803
http://valis.cjb.cc/archive1.html
http://www.versionist.com/conspiracies-theories/213-911-loose-change-2nd-edition.html
http://loosechange911.blogspot.com/2006_04_01_loosechange911_archive.html
http://loosechange911.blogspot.com/2006/04/do-you-think-they-spotted-us-give-me.html
http://www.infowars.net/articles/december2006/061206Lynch.htm
http://www.jonesreport.com/articles/061206_lynch.html
http://911blogger.com/node/4853
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